Quantcast The Johns Hopkins News-Letter
College Media Network

News-Letter

Current Issue:
Issue date: 4/23/09
News & Features

Six Univ. faculty receive Guggenheim Fellowship

  • Print
  • Email
Professor Richard Halpern researches tragedy in relation to political economy.
Media Credit: Daniel Litwin
Professor Richard Halpern researches tragedy in relation to political economy.

An interesting discussion with any of the six Hopkins recipients of the Guggenheim Fellowship is more than guaranteed. These faculty members are in the process of conducting fascinating research in a diverse range of subject areas and disciplines.

Richard Halpern, Sir William Osler Professor of English, and Veena Das, Krieger-Eisenhower Professor of Anthropology and Professor of History, are two of the fellows from Hopkins currently at work on their research projects.

The research that Halpern is currently pursuing concerns tragedy and its relation to ideas of political economy.

"Part of the appeal of this project is that it draws on two areas that do not seem very obviously related," Halpern said.

"I am arguing that the Wealth of Nations by Adam Smith introduced a new way of thinking about the self, society and human action."

Halpern's studies address the question of what human action is and what its ethical ramifications are.

Always interested in literature, Halpern came up with the idea for his research while reading The Human Condition by Hannah Arendt.

"I was drawn to a footnote to Adam Smith. All of this sort of happened in one afternoon," Halpern said.

After looking up the suggestive passage in Smith's work, Halpern was inspired to investigate the connection between tragedy and political economy.

Halpern discussed how Aristotle saw ethical and political action as the highest forms of human action, an idea that Smith overturned when he asserted that human action comes from what we make.

Smith believed happiness depends on wealth and that wealth depends on people engaging in activity.

"This way of thinking poses a crisis for tragic drama. Since tragedy imitates, action has been demoted. It is no longer the summit of human endeavor, but is second place to what we make," Halpern said.

Halpern notes that though Smith writes in the second half of the 18th century, what he has to say does have implications for drama.

"Smith brings conceptual fault lines to the surface," he said.

The research that Halpern is conducting will follow tragedy from Escalus through Samuel Beckett, a major 20th-century playwright.
Page 1 of 3 next >

Article Tools

Be the first to comment on this story

  • NOTE: Email address will not be published

Type your comment below (html not allowed)

  I understand posting spam or other comments that are unrelated to this article will cause my comment to be flagged for deletion and possibly cause my IP address to be permanently banned from this server.

Advertisement

Advertisement